FILIPINIZED

The Western European ways of life spread throughout the islands of the Philippines, where Spain had much contact. This program showcases the Spanish influence in music, dance, dress, and societal customs introduced by the Spaniards.

 

ABARURAY

A courtship dance from Catanauan, Quezon that may have possibly originated from Marinduque, the Abaruray is commonly performed during social gatherings by young couple who use the Binanog or hawk-like steps which is popular in the Bicol region.

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CARINOSA

A courtship dance that originated in Panay but was popularized in Rapu-Rapu, Albay, the Cariñosa, or “Amiable,” depicts a man courting a woman while being restricted from touching her. During the old times, it was scandalous for a man to touch even the fingertips of a lady. The representation of such is seen in the dance, in which a demure lady is protecting herself from the man using a scented fan and a handkerchief, as if playing hide-and-seek.

 

CHOTIS

Chotis was a ballroom dance during the Spanish regime. This Filipinized version of the Chotis features young ladies as they flirtatiously sway hats in waltz tempo.

 

JOTA CAGAYANA

This jota shows the European fashion styles during the opening of the Suez Canal in 1869 in the Cagayan province. It comes from the 16th century courtship dance, Canaries, which is said to be the “parent of the Jota.”

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JOTA CAVITENA

A variation of jota with clicking of bamboo castanets and zapateados from Cavite.

 

JOTA INTRAMURENA

This jota from Intramuros, danced to the banduria and guitar while accompanied by the clicking of bamboo castanets, showcases the many ways of using the Manton de Manila, or shawl.

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JOTA ISABELA

Named after Queen Isabela of Spain, Isabela province in northwestern Luzon is home to a very lively adaptation of the Spanish Jota. It was said to originate in the grand ballrooms of elegant mansions as guests dances to the rondalla while wearing their finest gowns and suits.

 

JOTA MANILEÑA

This is Manila’s version of the famous jota of Spain with its typical clicking of castanets bearing a Spanish influence.

 

JOTA DE PARAGUA

A lively jota introduced by the Spaniards to the Philippines. The golpes, stampas, and cubradas come from Paragua, the old name of Palawan.

 

MAZURKA BOHOLANA

Ballroom dance originating from Bohol that highlights footworks such as mazurka, redoba, and sangig.

 

MAZURKA DE CUYO

Mazurka inspired dance from Cuyo, Palawan. 

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PANDERETAS

From Tanza, Iloilo, this dance is named for the tambourines that the women carry, featuring Iberian styles of dancing in complicated zapateado footwork and castanets.

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PASO DOBLE

Paso doble means double step. The dance is based on the movements of a bullfighter in the ring. A señorita flirtatiously wields her fan, using it to stress a point.

 

PRINSESA NG KUMINTANG

A dance about the pursuit of a very beautiful woman, made popular by the Batanggenyos through a song composed by Francisco Buencamino of Bulacan
 

PUTRITOS

Courtship dance from Atimonan, Quezon

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SINAKIKI

Sinakiki is a fixture during fiestas in the island of Rapu-Rapu, Albay. The Sinakiki has become part of the dance repertoire of the people of the island. For the Bicolano, the Sinakiki is viewed as the flirting of a love-struck rooster with his ladylove.

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USAHAY (song)

Usahay is a Visayan song. The word itself means “sometimes.” The song supposedly speaks of a lover who sometimes dreams that he and his loved one are actually together. He asks why he’d live in this world should he not have her. He thinks of how it is to be with her, if only in his dreams. Usahay is also often times sung by a female, as with many other Filipino love songs. Nitoy Gonzales, who has been based in the US, composed the immortal Cebuano classic.